
Artist’s Statement:
This is a clay sculpture of Elvis, based heavily on one of his most iconic performances near the end of his life in which he plays “Unchained Melody” on the piano. The lei around his neck is a reference to one of my favorite albums by Elvis, Blue Hawaii. Elvis is an icon of the past, and once ruled the music industry with his unique style of singing and performing, which came to an early end as his manager forced him to continue performing in Vegas instead of traveling the world like he had dreamed to, and blackmailed him so that Elvis was unable to fire him.
The title of this piece draws from the story of Ozymandias, about a statue of a king of a former time, broken into pieces in an empty desert. . . . Everybody and everything, no matter how great, will fade from time, and we are sadly beginning to see that as time passes, more and more people forget about the former King of Rock. The iconic music he created will one day be forgotten, and his dreams and accomplishments will sadly not remain.
. . .
My name is Elvis, King of Kings:
Look on my works, ye Mighty, and despair!
No thing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.






















































Aura – Chloe Fox
“Yo Soy”
Desde que nací en la Ciudad de Mexico
Hasta que me mudé a los Estados Unidos
Siempre he sido la niña terca y entusiasmada
Desde emocionantes juegos de candyland y uno con mi familia
Hasta agotadoras competencias de atletísmo
Soy la niña determinada y fuerte
La que vive con un deseo de lograr y impresionar
Mis esfuerzos nunca serán suficientes
Hasta que yo sea única y diferente de los demás
Soy Mexicana y Americana
Con pelo marrón y medio rizado
Que como yo, no puede ser mantenido
Tengo piel bronceada como la suave arena de Acapulco y Puerta Vallarta
Mis ojos de color avellanas son las ventanas de mi alma
Llevo mi corazón en la mano
Te lo puedo dar con confianza
Solo espero que no lo dejes caer y romper
Soy las olas de Cancún, impredecibles y libres
Tratando de decidir que corriente seguir
Soy un joyero, escondiendo mis destrezas peligrosas y preciosas
Soy un perro callejero, con futuro indeciso y espantoso
Pero si me das la oportunidad, te voy a amar y apreciar
Soy una hermana, hija, y amiga
Mi familia es loca y emocional
Una que celebra nuestra herencia y unidad
Las celebraciones de Día de los Muertos y los tres reyes magos
Me recuerdan del hermoso sonido de los festejos de mi familia Mexicana católica
Mudamos mucho, moviendo a donde nos lleve el viento
Pero en cualquier lugar que nos quedamos
Amor y pasión siempre será algo que tengamos
Fue una niña de seis años cuando tuve vergüenza que no pude hablar inglés
Fue una niña de once años, humillada cuado mis amigas conocieron a mi mamá
Asustada de que escuchen su accento Mexicano, de que vean su ropa tradicional
Asustada de ser diferente y extraña, asustada de verse mal
Ahora soy una mujer de dieciséis años, orgullosa de mi etnia y herencia
Soy la lengua española y inglesa, que trae historias de riqueza y pobreza
Soy las dos lenguas aún más bonitas que las pirámides de Teotihuacán
Y soy una mujer con origen aún más dulce que dulce de leche o mazapán
“I am” TRANSLATION
Since I was born in Mexico City
Until I moved to the United States
I have always been the stubborn and enthusiastic girl
From exciting games of Candyland and uno with my family
To grueling athletic competitions
I am the determined and strong girl
The one who lives with a desire to achieve and impress
My efforts will never be enough
Until I am unique and different from the rest
I am Mexican and American
With brown and medium curly hair
That like me, can’t be kept
I have tanned skin like the soft sand of Acapulco and Puerta Vallarta
My hazel eyes are the windows to my soul
I wear my heart on my sleeve
I can give it to you with confidence
I just hope you don’t let it fall and break
I am the waves of Cancun, unpredictable and free
Trying to decide which current to follow
I am a jewelry box, hiding my dangerous and precious skills
I am a stray dog, with an indecisive and frightening future
But if you give me the chance, I will love and appreciate you
I am a sister, daughter, and friend
My family is crazy and emotional
One that celebrates our heritage and unity
Day of the Dead celebrations and Three Kings’ Day
Reminds me of the beautiful sound of my Catholic Mexican family’s celebrations
We move a lot, moving wherever the wind takes us
But wherever we stay
Love and passion will always be something we have
I was a six-year-old girl when I was ashamed that I couldn’t speak English
I was an eleven-year-old girl, humiliated when my friends met my mother
Scared that they will hear her Mexican accent, that they will see her traditional clothes
Scared of being different and strange, scared of looking bad
I am now a sixteen-year-old woman, proud of my ethnicity and heritage
I am the Spanish and English language, which brings stories of wealth and poverty
I am the two languages even more beautiful than the pyramids of Teotihuacán
And I am a woman with an origin even sweeter than dulce de leche or mazapan
Nightfall – Henry Zhang
“Emma!”
“Kam!” We run towards each other as if we’re in a late 2000 movie.
“I can’t believe it’s been a whole year since I saw you!”
“Yeah, we really need to start seeing each other more often,” I reply.
“How’s sophomore year?” I ask.
“Well, it’s okay, I suppose.”
Kamren, my ex neighbor and I used to hang out every day. She recently moved far away, so we never talk in person. Although we FaceTime every few months, seeing each other in-person is different. Kamren and I only had 30 minutes to catch up before she had an appointment. I suggested that we go on a walk. We went on a stroll at the creek we used to enjoy playing in. Remembering our fun times in the treehouse and the forest that mimics a playset, we walked along the small stream and reminisced. My dad and Christopher, Kamren’s dad, built a small treehouse with a dainty swing hanging off the side. The swing was made of an old tire and some string my dad had laying around. Small steps led up a tree meeting the entrance of a small hut of wood.
Kam and I run outside after a lengthy rainfall in the summer of 2018, excitedly exploring the forest. The trees are lightly swaying in the wind and it smells like fresh rain. We playfully weave through the trees and run towards the lake. Kamren asks,
“Do you wanna visit the treehouse?”
“Duh.”
We love running around and going on walks while finding small treasures like small rocks or pebbles hidden under carpet-like moss. While collecting small pieces of art on the path to the treehouse, Kam and I skip towards the small wooden structure we call our “safe place,” and climb the ladder up to the main portion of the woodland mansion. Opening a box of Cheez-its, Kamren says,
“Yum, I can’t wait! These are my favorite.”
“Yes, oh my gosh. We haven’t had a picnic here in so long.”
Kamren and I finish the box and giggle all night. Before we know it, it’s dark outside and the stars are twinkling in the night sky, mirroring the glow-in-the-dark stickers on the ceiling of Kamren’s bedroom. Taking a second to embrace the bright stars and full moon makes us hazy and sleepy. I part ways with Kamren but promise her that we will see each other soon.
Kamren and I never fail when finding something entertaining. For example, at her house, we bake with her mom or paint each other’s nails. Something as simple as cleaning her room can be turned into a fun task to complete. My parents told me we should be expecting a big storm to hit our house, and Kamren and I spent the rest of the night worrying about the treehouse fighting it off. While Kamren’s at her house, I sit at the window that gives me a glimpse of the treehouse and I keep her updated.
Five years later, it’s my birthday and I have a big party with all my friends. Kamren wishes me a happy birthday but I forget about inviting her to the party. I promised her that we can have our annual sleepover and relax with face masks while painting our nails. Kam comes over and we spend the rest of the night staying in and catching each other up on a year’s worth of drama. Going to different schools gives us even more gossiping material. At the end of the night, we go through an album of old pictures of us. Kamren says,
“Aw, we were so cute.”
“What do you mean ‘were?’ We are still cute!”
We giggle, and eventually, we reach a picture of us playing dress up in the treehouse, treating it as our castle. We look at each other and decide on visiting our old sanctuary the next day. As we make our way outside, Kamren grabs a broom and suggests we try cleaning the place up a bit. I come out carrying a huge bag with a blanket, two small pillows, a bluetooth speaker, a dainty string of battery-powered fairy lights, and a roll of tape. She mocks me, but I say,
“Trust me, it’ll look so cute when we’re done.”
“Whatever you say,”
She responds. We drop the bag and broomstick by the treehouse and walk to the stream. We relax while soaking our feet in the ice-cold water, as if we’re at the beach. We dried our feet off on the clean parts of soft moss scattered around. Although our feet are a little dirty, Kamren and I don’t mind. We slip our sandals back on and saunter through the compact jungle in my backyard. The slight chirping of the birds mixed with the sound of wind rustling the leaves creates a peaceful song Kam and I enjoy on our way to the treehouse. Once we get there, I use the broom to dust all the leaves and dirt from the inside, and Kamren sets the blanket up in the corner of the room, resting the pillows on top to create a little nook. I tape the string of fairy lights onto the wall.
“Oh my god, it looks so cute!”
Kamren exclaims.
“Right! I told you it would.”
Kamren and I transformed what once was a dusty, old, treehouse into a modern, comfy getaway. Using my bluetooth speaker, I play old songs that radiate nostalgia throughout the room. Sitting in the corner of the sweet zone, we listen to music and tell each other stories we remember from our childhood. One specific time came to mind.
“Kamren, remember when you slipped in the mud?”
“Stop, that’s so embarrassing! I don’t want to talk about it.”
“It was so funny! I remember laughing so hard I almost slipped too!”
“Exactly who would’ve been laughing then, huh?”
We snicker and spend the rest of the day talking and roaming around the forest. Knowing I always had a place waiting for me, a place that can solve my twelve year-old problems, was comforting in a way. I spent all day and night forgetting about everything and talking to Kamren instantly made me feel better.
Henry Zhang – Shadow Play
This is how you do your hair,” they demonstrated, every strand slicked back.
“This is how you wear your leotard,” they instructed as the fabric clung to me like a second skin.
“This is how you are not nervous before a competition,” they claimed, as if the flutter in my heart could be stilled by mere words — as if the tremble in my hands was a choice.
“This is how you condition yourself to stay strong,” they urged, pushing every limit to make us better. At times, it felt like they were sculpting away my childhood, too.
“This is how you balance your social life and sports,” they advised, though the scale was always tipped, the gym’s echo louder than laughter with friends.
“This is how you stay motivated,” they preached as if my motivation wasn’t worn thin by endless repetition.
“This is how you remain brave,” they dismissed, denying the real fear of a slip, a fall, a fracture—of the fine line between success and disaster.
“This is how you don’t get injured,” they lectured, as if injuries were just a matter of disobedience, not the toll of a body pushed beyond its breaking point.
“This is how you ignore jealousy,” they insisted, in a world where every achievement of a peer felt like a personal defeat.
“This is how to be happy for others,” they demanded, masking envy with applause, learning that sometimes congratulations are just another performance.
“This is how you don’t fall behind,” they warned, as if life was a race and every moment not advancing was a moment falling back.
“This is how you get past a mental block,” they proposed, not understanding that some barriers aren’t as easy to push through.
“You aren’t injured. You are faking it,” they accused, mistrusting the honest groans of a body that had been too loyal and strong for too long.
“Stop being so scared,” they scolded, unable to see that courage isn’t the absence of fear, but the decision to perform despite it.
“Just go for it,” they urged, as if hesitation was a crime, as if every moment of pause was taking away my progress.
“Climb the rope, you balked,” they mocked, as if every retreat showed weakness.
“If you cry, you can go home,” they threatened, equating tears with surrender, with a lack of grit that they couldn’t tolerate.
“Stop fooling around. No sitting down. You need to be tighter. Try harder,” they chanted, with their demands and disappointments always beside you.
“Your form is awful. You fell, I am disappointed in you. You won second place. Why didn’t you try harder?” they critiqued, turning each performance you felt proud of into only corrections.
“You did awful at this competition, so I am not talking to you. You have done better. It’s been way too long. Just get over it!” they berated as if the sting of failure wasn’t enough without their salted words.
“Stop crying. You are being dramatic. You can’t have that floor music, but I’ll give it to someone else. Smile, you are being disrespectful. You have an attitude. Go home. If you don’t want to be here, then leave. I don’t care,” they dismissed, and soon every emotion was an enemy, every tear a traitor.
“I know it hurts, but I don’t care, keep going. Your team is depending on you; don’t let them down. Winners don’t complain. You are smaller, so obviously, it’s easier for you,” they continued, their words filled with toughness and toxicity, turning the sport I loved so much into something I loathed.
Prismatic Twilight – Michai Sanders
As I ventured into the heart of darkness—also known as online dating—I encountered Marianne, whose profession was listed as “ethical taxidermist.” This intrigued me, as I’d always believed taxidermy to be the beauty school for the undead. Imagining a date that could double as a scene from a Wes Anderson-directed horror film, I accepted her invitation.
Her studio was sandwiched between a fertility clinic and a vegan bakery, creating a triptych of life, death, and gluten intolerance. Upon entering, I was met with a tableau of animals frozen in time, each looking like they had been part of a woodland coup d’état gone awry. Marianne introduced her collection with the pride of a general parading his troops. “This is Gerald,” she gestured to a possum clutching a tiny violin. “He’s our resident musician.” I half-expected Gerald to launch into a somber rendition of “The Sound of Silence.”
Dinner was an affair to remember, primarily because it felt like dining in a mausoleum where the residents might judge your table manners. “I hope you’re fond of root vegetables,” Marianne said, serving a dish that looked as if it had been foraged from the set of The Walking Dead. She spoke of her craft with a passion that was both admirable and unnerving. “It’s not just about preserving the body,” she explained, “but capturing the soul.” I glanced nervously at a particularly surly-looking badger and wondered if its soul regretted not being a bit more photogenic in its final moments.
The conversation meandered onto the topic of her most bizarre requests. “Last month, I was asked to taxidermy a lizard in an Elizabethan ruff,” she recounted. To be or not to be, permanently stuck in contemplation, I mused. I couldn’t help but admire the dedication to keeping the arts alive, albeit in a decidedly stiff form.
Marianne’s tales of the taxidermy underworld were as fascinating as they were macabre. She told me about a client who wanted his late wife’s ashes mixed into the stuffing of her beloved dead parrot so they could “argue for eternity.” I sipped my red wine, pondering the logistics of domestic disputes in the afterlife.
As we dined under the glassy gaze of Marianne’s silent menagerie, I realized this was less a dinner date and more an audition for a role in a biopic where Norman Bates meets Dr. Dolittle. “You get used to the company,” Marianne said, mistaking my apprehensive glances for interest. “They’re great listeners.” I nodded, making a mental note to be more specific in my dating profile preferences—perhaps “must love animals, but not in a taxidermied sense.”
The night concluded with Marianne offering me a parting gift—a keychain made from the foot of a rabbit that, judging by its expression, had seen better days. “For good luck,” she said, with a smile that suggested her definition of luck might involve surviving a dystopian novel. I thanked her, wondering if the rabbit’s other feet were adorning the keys of survivors from dates past.
As I left, dodging the accusatory stare of a hawk that seemed to question my life choices, I reflected on the evening. In a world where love is often as elusive as a well-preserved specimen, my date with Marianne was a reminder that romance can be found in the most unexpected places—even between the pallid expressions and cold stares of taxidermied creatures. Indeed, Marianne, with her menagerie of the forever posed, had somehow made the leap from intriguingly bizarre to oddly captivating. It was as if Cupid had taken a detour through a natural history museum, aiming his arrow with a precision that left me spellbound in a tableau of emotional taxidermy. Her ability to find beauty in the macabre, to breathe a sort of life into that which had ceased to be, mirrored the paradox of our budding attraction—a curious blend of fascination and foreboding. And while our love story might not end with us riding off into the sunset, at least I could say my love life was officially dead and beautifully mounted.
Seagulls – Maddy Goldstein
It is May 22nd, 2021. COVID-19 has turned the world on its head and driven me into the wilderness.
I clench my arms around the exposed drain pipe, stumbling down the steep bluff beside the causeway. Its eastern end, where Myrtle Island slopes into a culvert-turned-saltmarsh, has no forgiveness for an unathletic loner of 13 years. Sweat plasters my raggedy t-shirt to my stomach as I grapple for a foothold among the thicket of sea ox-eyes.
I have a photography project due tomorrow. Down in South Carolina, and far away from the prying eyes of my virtual Raleigh teachers, I have not ventured out for my photos once.
I strain a foot to the bank of the hill, where the brush thins into glistening pluff mud. The sea breeze has settled into a sweltering low tide, and I wrinkle my nose at the distinct odor of rotten eggs. It smells, and in the muggy depths of May, the air is briny and thick on my tongue.
Tiny bubbles balloon out from the mud, betraying buried mollusks, who take refuge from the roseate spoonbills hunting at low tide. Rustling spartina grass forms a mosaic over the marsh’s exposed basin. Further ahead, a cusp of palm trees stands at attention, casting a shadow over a great white heron.
Backed by the spartina, the bird’s bottomless eyes bore into mine.
I wipe my palm on my shirt and pull out my phone. I need four photos of local fauna–the heron rustles its feathers, and as my camera flashes, it bursts into flight.
II
In 1902, Robert T. Wilson Jr. built a manor on the bank of the May River, spanning the land of 21 plantations. He called those grounds Palmetto Bluff. In 2023, the resort of the same name converges in a town square, where spotless white porticoes shade a bike rental shop, a restaurant with a speakeasy in its wine cellar, and a real estate office. All of these buildings frame a sprawling green; in its center, facing the May River, sit the charred ruins of Wilson’s Palmetto Lodge. A stone staircase comes to an abrupt end, flanked by asymmetric columns. Further west on the green, live oaks with dripping Spanish Moss crane over a smaller staircase and the detritus of a tile floor.
Today, stanchions cordon all of these off, and signs ask that guests be respectful of the historical site. I still have a photo from when I was younger, however, and my sister and I held hands at the top of the stairs, smiling for the camera. We wear blue dresses with stripes of red bows for the 4th of July. Behind us, a row of foldable chairs stands vigil over the oncoming parade. There’s one every year; people who live on the resort decorate golf carts, and throw candy from buckets for the horde of children. The most extravagant floats win prizes.
The last couple of years, I’ve taken an iced coffee from the restaurant beside the green and sat on its shaded porch. I abhor wallowing beneath the South Carolina sun for the parade–the resort members endure it only by flooding the roads immediately afterward, heading to the pool down the street. They buy piña coladas and lounge on Spartina-brand towels.
After the daytime celebration ends, my family drives back across the causeway to Myrtle Island, where we watch the fireworks from our dock. I sit with my nana on the wooden rocking chairs. I tell her about the parade.
III
A cacophony of barking scatters egrets into the sea, billowing out like clouds on the spotless blue sky.
Reuben scuds across the sandbar with incredible noise. Barely older than a puppy–and no bigger than one–the dachshund tears through shallow puddles and drags his leash through their shells.
My mother laughs from far behind him, cast in Savoy-blue shadows from her sunhat as she hoists a pail over her shoulder. It’s summer, and I can feel it beneath my skin, simmering and salty off the Calibogue Sound.
We stand on Grenadier Shoal, a broad sand strip off the east of Daufuskie Island. Captain Boo, the son of our neighbor and a distinguished excursion guide with the Palmetto Bluff resort, drives us down in his bowrider every once in a while. He ties an inner tube to the back of the sun-bleached boat and sends forth my younger sister and me, where he slings us into the verdant waters of the Cooper River. We doggy-paddle with dolphins and chase darting fish in the shade of the Daufuskie boscage.
I stand unmoving on the shoal, feet submerged in a placid tide pool. The wind tangles unkempt hair around my face and drives goosebumps through my frigid swimsuit, whistling like a wild songbird in my ear. I prod a lump of sand with my toe. It disperses out into the murky water, and the corner of a sand dollar peers out.
I nestle it in-between the towels in my pail, to be brought back with any others I find. My mom and I will lay them out, and in the morning, they will be washed white by the searing summer sun.
IV
At night, the vintage gas-lamps around Palmetto Bluff come on, one after another to light the sprawling web of streets. The breeze slows as the sun dips beneath the horizon, and when the final colors of sunset are flushed from the sky, the world is perfectly still.
There’s the taste of smoke from the smore pits, the rustling of Spanish moss overhead. An eastern gray squirrel on a branch idles in a bed of resurrection ferns. The floating docks bob on the high tide, swaying on the quiet waves, which effuse onto the driftwood-littered beaches and erase the tracks of foxes.
Then–the tsss of a snare, the twinkling high notes of a piano–“Night Dreamer” pours out into the frozen night.
I hold my phone in my hand as I stroll through the rows of Southern houses, mother and sister close behind. We always walk after dinner, and over time, I’ve become adept at navigating my stiletto heels across the pockmarked brick sidewalks. The saxophone breaks into the melody, and the jazz renders the world in shades of winking orange and abyssal indigo.
The three of us pass homes bright and houses dark, hanging seats creaking in the wind, untamed wisteria vines dripping from window-panes and rows of geraniums arranged in white-fenced gardens. We pass blue bicycles resting against garages for the night and cats who monitor us from second-floor balustrades, we pass open windows and families relaxing over iced tea in screened porches. We pass anoles asleep on gutters and overflowing mailboxes and ivy on ivory walls.
Cling. Cling. The song goes quiet as the piano relaxes into two chords, the second higher and softer than the first.
We pour onto a small bridge, which connects the riverside square to the rest of Palmetto Bluff.
My mother rests her hand on my shoulder: “Do you see that? It’s Ursa Minor.”
I follow her gaze, and together, we count the stars.
V
It is April 11th, 2023. I am still unathletic.
The sun beats down on me as I heave myself onto the causeway, gasping for air after jogging the length of Myrtle Island Road. It’s a cloudless, unbearably muggy day, and the raised concrete edge of the road looks an awful lot like an oasis to me.
As I lug my legs over it, I drag the bottom of my shirt across my face, scrubbing at the sweat that coats me like a second skin.
Dear God.
I lean back on my hands, and exhale from the pit of my stomach.
My feet dangle over the saltmarsh, where low tide has exposed the basin of oysters and familiar mélange of spartina grass and pluff mud.
Out on the river, a white buyboat crests the horizon. A man sits on the shaded part of the deck, and his thick oyster gloves are discarded beside him–he watches a pod of bottlenose dolphins chase minnows into a tidal creek.
I rub my nose, shifting my gaze to the docks that extend over the marsh. On one of them, an ice chest and a pile of towels are at the ready, prepared for an outing once the tide rises again. A siege of egrets perch on a nearby dead tree. When I take my glasses off to clean the lenses, the silhouette of the birds looks like a constellation.
Alright. If I don’t head home now, my mom will be worried.
I shift my weight to the side, turning my head over my shoulder–
A great white heron and I make abrupt eye contact.
I hold my breath, not daring to look away.
From the other side of the causeway, the heron steps towards the edge of the barrier, arching its neck away from me.
It watches the bluff. In its eyes, I can see reflected the entirety of the marsh, and beyond it, the boundless sweep of the sky and the May River.
A sudden wind overtakes us, and the beating of the heron’s wings becomes indistinct from the rustling spartina grass, the movement in the canopy of live oaks on the shore, the ripples in the water far beneath us.
I breathe it all in, and it tastes like salt.

I am afraid of silence.
Not the quiet kind.
Not the kind that’s welcoming,
Ushering you into tranquility,
But the kind that swallows you.
The kind that roars like waves,
Crashing over you,
Again and again
I am afraid of silence.
The kind that makes you feel
As if you’re a little kid again.
Talking.
Talking so fast that nobody understands.
Talking to keep away the silence,
But nobody’s listening.
They wait for you to finish,
They wait until it’s once again their turn,
And they disregard everything you just said.
I am afraid of silence.
You try,
You try so hard to connect,
To create conversations that they’d enjoy,
But they don’t like you.
The silence once again creeps in,
It seeps in through your pores,
It takes over your organs.
It shuts you down.
I am afraid of silence.
A blank mind, empty.
You can’t hear a thing they are saying.
Their mouths are moving, but no sound comes out.
Ignored. All you want is friends,
But instead you receive silence.
I am afraid of silence,
It doesn’t always mean quiet.
It can be acknowledgment you never got,
Interest, that was taken away.
They forced you
Into that silence,
The silence that I am oh so afraid of.
They took that little girl,
The innocent
Little girl.
She only wanted to talk.
She only wanted friends,
Friends who wanted her just as much.
But she was robbed.
The silence took her.
And yet, though she is afraid of silence,
She welcomes it.
It tells her to shut up,
It whispers mean and nasty things.
And she always listens.
Because the silence never lies.
The silence is always there,
The silence is always creeping.
It hears the girl, it listens to her talk.
Talking to walls.
The walls that dared to say that they were friends.
The silence protects her.
It takes her in.
The silence will always allow her thoughts.
The silence is her only listener.
And yet, she is still afraid.
She knows that silence is on her side,
And yet, she longs for a friend.
And yet, she longs for human ears,
To hear her. To actually listen.
But that cannot be if there is silence.

I’m 6 feet in the air, not looking down, a smile plastered on my face. I hear the cheer music blasting clashing with my coach screaming, “You’re hitting!!! Stay up!” Suddenly, I feel my foot start to turn and my body becomes unstable. And then, the worst thing imaginable happens, I fall. I fall quickly yet it feels like it takes a million years. I land face first, the tears flow and I feel the pain internally and externally. How did I get to such a low point? Throughout my 8 year long cheer career, I have been constantly asking myself this exact question.
As a kid, I was extremely small in all ways. I was healthy and ate like a teenage boy at the age of 5, but I was still very scrawny. This is why I was a flyer on my cheerleading team. The flyer is the smallest girl that gets held up in the air by her bases and backspots. Flying was my passion, tumbling was cool and all but there was nothing better than flying. After two years at Energy Kidz, my mom and I made the decision that I wanted something bigger. Obviously winning isn’t everything but I wanted something more competitive. Energy Kidz was certainly fun, but when it came to competitions, we had little to no chance of winning against big-name gyms. My mom researched other competitive cheer teams in the area and we eventually found the perfect fit for me, Cheer Extreme Allstars.
After I stopped cheering at Energy Kidz, I joined the competitive gymnastics team. I ended up deciding against trying out at Cheer Extreme and just wanted to stick with gymnastics. However, there was a place in my heart that knew how badly I would miss cheerleading. Luckily, it wasn’t two late and I got to go to makeup tryouts for Cheer Extreme. Then, I was placed on a Youth 2 team where I was center flyer. I immediately loved everything about Cheer Extreme, it was more competitive and challenging than Energy Kidz. It began to be too much to have gymnastics meets and practices on top of cheer competitions and practices so I eventually quit gymnastics.
Since 2015, I have gone to Cheer Extreme. However, I’ve battled myself many times over my decision to still continue doing the sport I once loved more than anything. My first two years at Cheer Extreme were great, I was flying center and my tumbling was progressing faster than ever. My third year is what sparked my hatred for my body. I was on a Junior level 4 team and I started off the season as center flyer as I had been previously. I felt like I was on top of the world. However, I was probably 10 or 11 at this point and I was growing rapidly. During the summer, my coach called my mom and said I wouldn’t be flying in the main stunt. My mom called me and broke the news. I remember that moment and those feelings like it all happened just yesterday. I ran to the bathroom and bawled and bawled until I had no tears left. It was the worst feeling ever to know that my size was holding me back when I was really an amazing flyer. Throughout that year, I pushed myself to work extra hard and go to flying classes and work on my skills.
The next season was the worst for me, I was on three teams, flying on one and learning how to backspot on the other two. Three teams is a lot for anyone, but as a 12 year old trying to navigate between school and 6 practices a week, it was overwhelming to say the least. Any trace of my social life was decimated that year. In March of 2020, we had one of our last competitions in Orlando. While we were there, we heard all sorts of things about a new virus called COVID-19, and the competition was cut short. I enjoyed it though because I got to spend the whole day at disney, the last day before Disney closed for months. When I returned home, I heard we had virtual school for two weeks. I was shocked as I had never gone through anything like that before. For months, I couldn’t go to cheer, I couldn’t do the thing I loved the most and it destroyed me. I also knew I was becoming taller and taller and the second I stepped foot back into the gym, I would be “grounded” (a term for flyers who get too big and have to learn how to base). I did all that I could to prevent that and at the time I didn’t realize how detrimental that was to my well being. I was 12 years old working out for hours each day so that I could have the “right” body type. I hated myself. Why did I have to be so much bigger than all the other girls? I lived with the hatred of myself for two years.
Once we were allowed back in the gym, I was grounded as expected but my body issues didn’t end there. Being grounded felt like my wings were being clipped. My love of flying was ripped away from me because of how tall I was and how much I weighed. After this point, my body issues just increased. When I was 13, I started tracking my calories. I would limit myself to 1200 calories a day. That is 800 less calories than the average woman is supposed to consume each day. In total, I was missing out on 5,600 calories a week. However, I didn’t care. I didn’t mind the constant pang of hunger in my stomach, I didn’t care about eating, I only cared about how I looked in my uniform. If I went over my calorie limit, I would freak out. I didn’t realize how much I was destroying myself.
Recently, I have become much better about feeling confident with myself and understanding that food is fuel. However, as long as I do allstar cheer, body image issues will still exist due to the stigma around body type in all star cheer. Not being a flyer anymore definitely helps with my confidence. I no longer have bases telling me I’m “too heavy” or asking what I ate that day because I felt “heavier” than usual. As much as I miss flying, I’m glad that part of my life is over and I make sure to never say anything like that to my flyers. As much as I love cheer, I fear the only way to permanently fix my body image is to quit. Who knows when I will finally be able to close this long chapter of my life and move on to the next thing? But for now, I will continue my usual routine including the sport of all star cheer.

She stands by herself, but is never alone,
for her mind takes her to faraway places,
and between her hands is the key to her home.
As she flips through the delicate pages,
the girl lives through dozens of lives,
meets hundreds of people, and walks across
countless worlds, each one beside her at all times.
Through the ocean and the rain and the frost,
through the desert, the mountains, and the forest,
She walks and she dashes and she runs.
She adventures and takes on perilous quests,
and she stands before the rising sun.
She sees empires rise and fall,
and watches conflicts ignite and subside.
She learns what it is to be brave despite it all,
with the support of those by her side.
The girl faces forces larger than life,
but her feet stay firmly on the ground.
“I’m not backing down,” she passionately cries,
and she inspires those who are around.
She settles down, and with a bittersweet look,
the chapter ends, with a smile upon her.
“Let’s do it again,” she says, closing the book
and already reaching for another.